4 railings, Terningmoen Camp, Elverum, KORO 2026
Powder-coated and wet-painted steel with glass  
1 x 4 m per railing

Four railings installed on the gable walls of a new officers’ quarters at Terningmoen Camp in Elverum, currently under expansion to increase the capacity of military recruit training. The pattern in the railings is created by overlapping contour lines of elements from both civilian and military contexts, pointing to the overlap of these spheres and identities that recruits encounter when beginning their compulsory military service. The railing motif also references fences and boundaries more broadly: the perimeter of the camp, the division between military and civilian life, national borders that the armed forces are tasked with protecting, and the boundaries that recruits are expected to cross.

4 railings, Terningmoen Camp, Elverum, KORO 2026
Powder-coated and wet-painted steel with glass  
1 x 4 m per railing

Four railings installed on the gable walls of a new officers’ quarters at Terningmoen Camp in Elverum, currently under expansion to increase the capacity of military recruit training. The pattern in the railings is created by overlapping contour lines of elements from both civilian and military contexts, pointing to the overlap of these spheres and identities that recruits encounter when beginning their compulsory military service. The railing motif also references fences and boundaries more broadly: the perimeter of the camp, the division between military and civilian life, national borders that the armed forces are tasked with protecting, and the boundaries that recruits are expected to cross.

Konglomerat og brekksje, 2024
Stein 1: 2,8 x 2,3 x 1,9 m | Stein 2: 3,1 x 2,0 x 0,6 m | Stein 3: 6,1 x 3,0 x 1,2 m
Bestilt av Statens vegvesen for et nytt, offentlig torg i Førde, Norge.

Kunstverket synliggjør hvordan den skiftende vannoverflaten forholder seg til Kartverkets referansepunkter for havnivå, gjennomsnittsmålinger og FNs klimapanels prognoser for hvor disse nivåene forventes å være i fremtiden. Prosjektet ble utviklet i dialog med havnivåforsker Kristin Richter i NORCE og presentert under Bergen kommunes One Ocean Week-sesjon «Sea level rise in European cities – living with/against the ocean».

Konglomerat og brekksje, 2024
Stein 1: 2,8 x 2,3 x 1,9 m | Stein 2: 3,1 x 2,0 x 0,6 m | Stein 3: 6,1 x 3,0 x 1,2 m
Bestilt av Statens vegvesen for et nytt, offentlig torg i Førde, Norge.

Kunstverket synliggjør hvordan den skiftende vannoverflaten forholder seg til Kartverkets referansepunkter for havnivå, gjennomsnittsmålinger og FNs klimapanels prognoser for hvor disse nivåene forventes å være i fremtiden. Prosjektet ble utviklet i dialog med havnivåforsker Kristin Richter i NORCE og presentert under Bergen kommunes One Ocean Week-sesjon «Sea level rise in European cities – living with/against the ocean».

4 railings, Terningmoen Camp, Elverum, KORO 2026
Powder-coated and wet-painted steel with glass  
1 x 4 m per railing

Four railings installed on the gable walls of a new officers’ quarters at Terningmoen Camp in Elverum, currently under expansion to increase the capacity of military recruit training. The pattern in the railings is created by overlapping contour lines of elements from both civilian and military contexts, pointing to the overlap of these spheres and identities that recruits encounter when beginning their compulsory military service. The railing motif also references fences and boundaries more broadly: the perimeter of the camp, the division between military and civilian life, national borders that the armed forces are tasked with protecting, and the boundaries that recruits are expected to cross.

4 railings, Terningmoen Camp, Elverum, KORO 2026
Powder-coated and wet-painted steel with glass  
1 x 4 m per railing

Four railings installed on the gable walls of a new officers’ quarters at Terningmoen Camp in Elverum, currently under expansion to increase the capacity of military recruit training. The pattern in the railings is created by overlapping contour lines of elements from both civilian and military contexts, pointing to the overlap of these spheres and identities that recruits encounter when beginning their compulsory military service. The railing motif also references fences and boundaries more broadly: the perimeter of the camp, the division between military and civilian life, national borders that the armed forces are tasked with protecting, and the boundaries that recruits are expected to cross.

4 railings, Terningmoen Camp, Elverum, KORO 2026
Powder-coated and wet-painted steel with glass  
1 x 4 m per railing

Four railings installed on the gable walls of a new officers’ quarters at Terningmoen Camp in Elverum, currently under expansion to increase the capacity of military recruit training. The pattern in the railings is created by overlapping contour lines of elements from both civilian and military contexts, pointing to the overlap of these spheres and identities that recruits encounter when beginning their compulsory military service. The railing motif also references fences and boundaries more broadly: the perimeter of the camp, the division between military and civilian life, national borders that the armed forces are tasked with protecting, and the boundaries that recruits are expected to cross.

4 railings, Terningmoen Camp, Elverum, KORO 2026
Powder-coated and wet-painted steel with glass  
1 x 4 m per railing

Four railings installed on the gable walls of a new officers’ quarters at Terningmoen Camp in Elverum, currently under expansion to increase the capacity of military recruit training. The pattern in the railings is created by overlapping contour lines of elements from both civilian and military contexts, pointing to the overlap of these spheres and identities that recruits encounter when beginning their compulsory military service. The railing motif also references fences and boundaries more broadly: the perimeter of the camp, the division between military and civilian life, national borders that the armed forces are tasked with protecting, and the boundaries that recruits are expected to cross.

Series of 9 low reliefs, 2026
Acrylic plaster  
43 x 43 x 43 cm

Svimmel måne is a series of cast reliefs in which circles and semicircles are filled with a fluid mass. In some areas, the material remains contained within the geometric boundaries; in others, it fully occupies the forms, while elsewhere it overflows and breaks with the structure. The work explores tensions between abstraction and phenomenon, the fluid and the fixed, control and unpredictability. It reflects on the relationship between artistic formal abstraction and scientific abstraction, where systems of order meet dynamic, shifting matter. At the same time, the series evokes a kind of landscape painting, drawing on both what can be seen and what cannot be directly perceived, such as the movement of water masses shaped by lunar forces, and the muted tones of the sea under overcast skies or the colours of the night sky.

Series of 9 low reliefs, 2026
Acrylic plaster  
43 x 43 x 43 cm

Svimmel måne is a series of cast reliefs in which circles and semicircles are filled with a fluid mass. In some areas, the material remains contained within the geometric boundaries; in others, it fully occupies the forms, while elsewhere it overflows and breaks with the structure. The work explores tensions between abstraction and phenomenon, the fluid and the fixed, control and unpredictability. It reflects on the relationship between artistic formal abstraction and scientific abstraction, where systems of order meet dynamic, shifting matter. At the same time, the series evokes a kind of landscape painting, drawing on both what can be seen and what cannot be directly perceived, such as the movement of water masses shaped by lunar forces, and the muted tones of the sea under overcast skies or the colours of the night sky.

Series of 9 low reliefs, 2026
Acrylic plaster  
43 x 43 x 43 cm

Svimmel måne is a series of cast reliefs in which circles and semicircles are filled with a fluid mass. In some areas, the material remains contained within the geometric boundaries; in others, it fully occupies the forms, while elsewhere it overflows and breaks with the structure. The work explores tensions between abstraction and phenomenon, the fluid and the fixed, control and unpredictability. It reflects on the relationship between artistic formal abstraction and scientific abstraction, where systems of order meet dynamic, shifting matter. At the same time, the series evokes a kind of landscape painting, drawing on both what can be seen and what cannot be directly perceived, such as the movement of water masses shaped by lunar forces, and the muted tones of the sea under overcast skies or the colours of the night sky.

Series of 9 low reliefs, 2026
Acrylic plaster  
43 x 43 x 43 cm

Svimmel måne is a series of cast reliefs in which circles and semicircles are filled with a fluid mass. In some areas, the material remains contained within the geometric boundaries; in others, it fully occupies the forms, while elsewhere it overflows and breaks with the structure. The work explores tensions between abstraction and phenomenon, the fluid and the fixed, control and unpredictability. It reflects on the relationship between artistic formal abstraction and scientific abstraction, where systems of order meet dynamic, shifting matter. At the same time, the series evokes a kind of landscape painting, drawing on both what can be seen and what cannot be directly perceived, such as the movement of water masses shaped by lunar forces, and the muted tones of the sea under overcast skies or the colours of the night sky.

Series of 9 low reliefs, 2026
Acrylic plaster  
43 x 43 x 43 cm

Svimmel måne is a series of cast reliefs in which circles and semicircles are filled with a fluid mass. In some areas, the material remains contained within the geometric boundaries; in others, it fully occupies the forms, while elsewhere it overflows and breaks with the structure. The work explores tensions between abstraction and phenomenon, the fluid and the fixed, control and unpredictability. It reflects on the relationship between artistic formal abstraction and scientific abstraction, where systems of order meet dynamic, shifting matter. At the same time, the series evokes a kind of landscape painting, drawing on both what can be seen and what cannot be directly perceived, such as the movement of water masses shaped by lunar forces, and the muted tones of the sea under overcast skies or the colours of the night sky.

Series of 9 low reliefs, 2026
Acrylic plaster  
43 x 43 x 43 cm

Svimmel måne is a series of cast reliefs in which circles and semicircles are filled with a fluid mass. In some areas, the material remains contained within the geometric boundaries; in others, it fully occupies the forms, while elsewhere it overflows and breaks with the structure. The work explores tensions between abstraction and phenomenon, the fluid and the fixed, control and unpredictability. It reflects on the relationship between artistic formal abstraction and scientific abstraction, where systems of order meet dynamic, shifting matter. At the same time, the series evokes a kind of landscape painting, drawing on both what can be seen and what cannot be directly perceived, such as the movement of water masses shaped by lunar forces, and the muted tones of the sea under overcast skies or the colours of the night sky.

Series of 9 low reliefs, 2026
Acrylic plaster  
43 x 43 x 43 cm

Svimmel måne is a series of cast reliefs in which circles and semicircles are filled with a fluid mass. In some areas, the material remains contained within the geometric boundaries; in others, it fully occupies the forms, while elsewhere it overflows and breaks with the structure. The work explores tensions between abstraction and phenomenon, the fluid and the fixed, control and unpredictability. It reflects on the relationship between artistic formal abstraction and scientific abstraction, where systems of order meet dynamic, shifting matter. At the same time, the series evokes a kind of landscape painting, drawing on both what can be seen and what cannot be directly perceived, such as the movement of water masses shaped by lunar forces, and the muted tones of the sea under overcast skies or the colours of the night sky.

Series of 9 low reliefs, 2026
Acrylic plaster  
43 x 43 x 43 cm

Svimmel måne is a series of cast reliefs in which circles and semicircles are filled with a fluid mass. In some areas, the material remains contained within the geometric boundaries; in others, it fully occupies the forms, while elsewhere it overflows and breaks with the structure. The work explores tensions between abstraction and phenomenon, the fluid and the fixed, control and unpredictability. It reflects on the relationship between artistic formal abstraction and scientific abstraction, where systems of order meet dynamic, shifting matter. At the same time, the series evokes a kind of landscape painting, drawing on both what can be seen and what cannot be directly perceived, such as the movement of water masses shaped by lunar forces, and the muted tones of the sea under overcast skies or the colours of the night sky.

Series of 9 low reliefs, 2026
Acrylic plaster  
43 x 43 x 43 cm

Svimmel måne is a series of cast reliefs in which circles and semicircles are filled with a fluid mass. In some areas, the material remains contained within the geometric boundaries; in others, it fully occupies the forms, while elsewhere it overflows and breaks with the structure. The work explores tensions between abstraction and phenomenon, the fluid and the fixed, control and unpredictability. It reflects on the relationship between artistic formal abstraction and scientific abstraction, where systems of order meet dynamic, shifting matter. At the same time, the series evokes a kind of landscape painting, drawing on both what can be seen and what cannot be directly perceived, such as the movement of water masses shaped by lunar forces, and the muted tones of the sea under overcast skies or the colours of the night sky.

Series of 9 low reliefs, 2026
Acrylic plaster  
43 x 43 x 43 cm

Svimmel måne is a series of cast reliefs in which circles and semicircles are filled with a fluid mass. In some areas, the material remains contained within the geometric boundaries; in others, it fully occupies the forms, while elsewhere it overflows and breaks with the structure. The work explores tensions between abstraction and phenomenon, the fluid and the fixed, control and unpredictability. It reflects on the relationship between artistic formal abstraction and scientific abstraction, where systems of order meet dynamic, shifting matter. At the same time, the series evokes a kind of landscape painting, drawing on both what can be seen and what cannot be directly perceived, such as the movement of water masses shaped by lunar forces, and the muted tones of the sea under overcast skies or the colours of the night sky.

2012
MDF, paint  
388 x 267 x 80 cm

The panels are cut at an angle of 7 degrees and they lean out from the back wall with a spacing of 7 degrees between each subsequent panel. The installation was created for a movable wall in the Tin Sheds Gallery in Sydney and shown as part of the affiliate program of the Sydney Biennale in 2012. It was later adapted to the exhibition This House curated by Anthea Buys as part of Nouvelles Vagues at Palais de Tokyo in 2014.